A Poet and the ‘planet of antiquity’

I’m reading the 2006 Poet Laureate Donald Hall’s ‘Unpacking the boxes’, that I had gotten recently, a belated Xmas gift. It’s almost unthinkable to remember the days when milk was delivered to the front or back doors of residences, (Charlie Chips too!) when cream at the top froze during the winter and pushed up the paper caps on the bottles. This was, he notes, before the era of the two car family. Once Americans were prosperous enough for moms to drive their own cars to grocery stores, the demise of multiple entities ensued; the small corner store, dairies, local farms – all perished. The automobile, it seems, can be blamed for all sorts of economic and cultural shifts.  

 During his early childhood, Hall’s dad was the manager of the local thriving dairy that his grandfather had started, Brock-Hall.  He talks about the short-lived celebrity status he enjoyed during a kindergarten tour; the brick dairy was just around the corner from his school. Homogenization standardized the product in the 1950’s and the half gallon cartons reduced local delivery, eventually taking over the process. In 2009 you will only find glass bottled raw milk in specialized health food stores.

This is a review of the book, here’s another. And he sat for three interviews with the Paris Review in 1991, in which he discusses his childhood, where he grew up in New Hampshire and his own interviews with poets T.S. Eliot and Ezra Pound. Donald Hall interview

He describes an encounter with Robert Frost: 

We played softball. This was in 1945, and Frost was born in 1874, so he was seventy-one years old. He played a vigorous game of softball but he was also something of a spoiled brat. His team had to win and it was well known that the pitcher should serve Frost a fat pitch. I remember him hitting a double. He fought hard for his team to win and he was willing to change the rules. He had to win at everything. Including poetry.

This is just one of the gems he recounts about Pound:

There’s the famous story—this didn’t happen to me but I love it—of a young American poet who was wandering around in Venice, not long before Pound died, and recognized the house where Pound was living with Olga Rudge. Impulsively, he knocked on the door. Maybe he expected the butler to answer, but the door swung open and it was Ezra Pound. In surprise and confusion the young poet said, How are you, Mr. Pound? Pound looked at him and, as he swung the door shut, said, Senile. 

After reading Hall, one might never again entertain the idea that poets are demure, retiring and well, nice. 

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Hieroglyphics

A big callout and thank you to Amanda for helping me slog through some coding to update my blog theme with an Etsy mini. A complete stranger and someone I found by googling the theme, she was patient and extremely gracious with offering her time to help me. Would it kill the programmer to post this for all of us who don’t want to relinquish his very elegant design?

Yes, I know it would be easy if I weren’t such a lazy painter and had ever learned how to actually code html. But that’s why 25 year olds were born. Go visit Amanda’s site and see her own exquisite creations.

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Valentine Day art

I finally figured out how to do a screen grab of a treasury on Etsy. Here’s one I just created that proves there are serious artists selling on the site.

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Tolstoy and lost luggage

If you haven’t yet read ‘The Murder of Leo Tolstoy, a forensic investigation‘ by Elif Batuman in this month’s Harper’s, you’re in for a treat. Not only does Ms. Batuman give us a brief history of Russian literature, but she describes the humiliation of walking around the 4 day International Tolstoy Scholar conference in flip-flops and sweatpants, after a luggage mishap with Aeroflot. 

I loved her writing for this piece; she’s funny, insightful and even brings a Sherlock Holmes story into play in her own detective work for possible suspects in Tolstoy’s murder. If there ever was such a thing. Her tale of a 3 hour bus ride from the conference at Tolstoy’s estate in Yasnaya Polyana out to Chekhov’s former estate, Melikhovo, near Moscow, is not to be missed, despite the yuck factor of a septuagenarian’s hygiene issues. His wife called it ‘the tyranny of the body’.

She admits on her blog that she’s not ‘super-good with facts’ and Harper’s fact checker seems to have had quite a time with her story. 

‘Probably the biggest disappointment to me during the fact-checking process was the discovery that I fabricated the Lev Tolstoy Accordion Academy—it appears not to exist.  Anyone with any information to the contrary should please contact me.  There may be a reward.’

John McPhee has written an entertaining little piece on fact checkers in this week’s New Yorker - ‘Checkpoints’.

Bravo Ms. Batuman!

 

Tolstoy by Ilya Repin

 

and my favorite Russian artist, Valentin Serov. His portrait of Repin.

I lived in Moscow during a two month period in 1986 when I worked for Turner’s first Goodwill Games, a venture that opened trade with Russia but lost bundles of money for Ted. I ventured out alone to a state run grocery store where customers stood in line for dark Russian bread, where you wouldn’t want to eat the cheese or above ground vegetables since Chernobyl had just blown up.

Every one of our van drivers shuttling us from our hotels to the Ostankino Studio had a large bottle of vodka tucked away behind his passenger seat, to ease the pain of shortage. Few of my other Turner TV colleagues wondered about the Pushkin Museum’s collection or Dostoyevsky or the Bolshoi Ballet, so I visited graves, art and cultural icons alone, struggling to speak Russian from my pocket guidebook.

During my entry into the country, I had been accosted by a young customs official, wanting to know why I was interested in Nabokov’s Speak Memory’, that he found tucked into my clothes. ‘He’s one of your most famous countrymen! Don’t you love his work?’ I demanded, scolding the guard for his paranoia. It was the first of many encounters with what I came to view as a notorious Russian negativity and repression, born of feudalism and failed communism.

One could forgive the curt dismissals, the waving away of our American-ness. We were rich, they were poor. It couldn’t have felt good to beg for chewing gum and Levi’s from a former western enemy. I left the maids my perfume, Belgian chocolate and fashion magazines as tips, since our money was no good to them then.

And despite my hotel phone being bugged, I saw in Russia similarities of culture, warmth and an unbeatable spirit that can be found in the leanest of times here in our own country. The chickens may have been skinny and the dried sturgeon tough, but the vodka flowed freely along with bawdy jokes and irrepressible balalaikas.

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The last of winter

Most of the snow has now melted and these are my last paintings of it, small 8″x8″ on canvas paper. I already miss the quiet morning whiteness. I’m hoping for another last gasp of winter.

 

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Spring

Time to break out the seed catalogs, it went up to 56 today and the snow is mostly melted. Here’s one of my newest paintings, inspired partly by Bill Evans on Cross Currents, and his cover of the Cole Porter song.

Night and Day

 

And I discovered ‘Antony’ this week on Terry Gross’s Fresh Air. He reminds me a little of Nina Simone if she mixed it up with Bryan Ferry. What he says about the artist’s motive is right on the money.

 “Our job as artists, you know, we’re like fishers,” Hegarty says. “We’re fishing on the frontier of the collective consciousness.” 

Another World

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Snow, the studio and a lifetime burning

It snowed all day yesterday and we have a lovely, thick blanket of white. The sky behind the trees this morning was a liquid and fierce pale gold. Now everything is a cool blue against the dark evergreens.

I found myself in two Etsy treasuries this week. A treasury means you choose other artisans’ work to highlight. I’m finding some very unique painters there, good abstract expressionists and one prolific Belgian artist, Sylvie Van Hulle, highlighted my site on her own blog.

 

 I’m reading Alexander Liberman’s, ‘The Artist in his Studio’, originally published in 1960.  Liberman‘s step-daughter is the writer Francine du Plessix Gray. He spent 40 years getting the book published and met many of the artists who are now icons; Matisse, Chagall, Rouault, Picasso. It’s thrilling to read about his lunch with Pablo or his tea with Chagall and his obvious repulsion by Utrillo’s ‘incessantly chatty’ wife. There are superb photographs of artists at the height of their powers in these studio settings.

He offers a personal and intimate portrait of these artists that I haven’t found in many other writings on artists. Anthony Haden-Guest comes to mind, but Liberman’s book is more of a tender tribute to the giants of the past.

Here’s what Jacques Villon at 86 said about artists: ‘Before starting to paint one should follow Cennini’s advice and say a prayer.’ Liberman notes that he was impressed most by the artists’ ‘obsessive, unswerving dedication to creation. In the words of the poet, they are ‘a lifetime burning’. Their dedication to art, like that of men to religious orders, is a self-imposed vow. These artists are the priests of a new religion – Art.’

 Duchamp said that ‘the artist should have no social obligations…an artist must be an egotist, completely blind to other human beings – egocentric in the grand manner. It is unavoidable, one cannot create great things if he is only half involved and in doubt.’ Well, there you have it, the politically incorrect artist speaking what we often suspect.

We may also forget how long it takes to build a life based on this devotion. Rouault, Kupka, Villon all had to wait until they were over 70 for recognition. 

Braque’s studio.

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Working for the muse

I conducted a poll in one of Etsy’s forums yesterday to try to find out how many people were actually making a living with their paintings, sculpture or printmaking on the site or through other online endeavors. Surprisingly, about half the women reported they were covering their living costs, a few were making from $10 -$30k.

This, I think, is the wave of the future for working artists. It keeps the interaction between artist and patron clear of any middleman or dealer, which in turn allows the full value of the work to go directly to the artist.

Full value here is relative; Etsy or any online sales are not going to be close to possibly inflated rates for work found in Chelsea galleries. There, the artist’s value is helping to pay for overhead, curator’s fees and promotions.

While the concept of gallerist and dealer can be highly endorsed, more of my artist friends are having difficult times selling. Quite a few galleries are closing, simply unable to make their own rent.

Marketing online comes with its own set of defined challenges. Knowing something about Search Engine Optimization (SEO) and how to properly label tags is crucial for traffic. And artists may have a better appreciation for what a gallerist offers, after they deal with the online issues of drawing ‘eyes’ to their own sites.

Back in the late 90’s when I worked in San Francisco for The Site, which launched ZDTV, the buzz word was community. We offered webcams to our audience to shoot their own video and those were shown on-air and online. That was 1997 when few networks even thought about homemade video’s importance…or threat. Then came Youtube.

Community is what social networking is all about. As with the countless number of Starbucks in every city, the thousands of ‘followers’ people accrue on Twitter point to viral marketing and an expansion of the internet’s capacity to market just about anything.

For those with some technical background or willingness to learn the ins & outs of blogging and managing websites, opportunities exist. And the quality of some of the work I’ve seen on Etsy and other online sites often surpasses what is on the ‘curated’ art market.

The arts community is building online with sites like 20×200, Gawker, Beholder and ArtFire. Some curate works, others allow anyone to join. 

 

The second snow inspired another backyard painting –

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I’m a curator

I posted my first Treasury on Etsy, which has since expired. These were some of my favorite picks for fine art from the online shop based in Brooklyn. It’s one of the more fun ways to sell online and they have a beautiful and efficient interface.

Enjoy-

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To give the mundane its beautiful view

John Updike died January 27th at 76. Middle class life, 2 Pulitzers for novels and engaging short stories. His article The Writer in Winter is, if not exuberantly pro-aging, respectful of its wisdom. Luckily, painters often do their best work during this time.

 

And a poem by Wendell M Tomlin, Jr that speaks of the day’s loss. Tomlin lives in a cabin near Lake Norman, in North Carolina.

In Memoriam

You knew our names and called them out as

clearing as a beloved’s.

You summoned our brightest beats from their hiding spaces;

you held them up to view 

with untrimmed delight.

 

We will build a fire

in the center of the night

in the middle of a river

that you not mistake us

standing alone one by one

yearning toward the sound

of your voice, gone now

but still wrapped around us, 

proof against the chill.

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