{"id":8192,"date":"2011-01-05T19:03:57","date_gmt":"2011-01-06T03:33:57","guid":{"rendered":"http:\/\/www.furiousdreams.com\/blog\/?p=8192"},"modified":"2011-01-05T19:03:57","modified_gmt":"2011-01-06T03:33:57","slug":"artists-talking","status":"publish","type":"post","link":"https:\/\/www.furiousdreams.com\/blog\/artists-talking\/","title":{"rendered":"Artists talking"},"content":{"rendered":"<p>Artists are not actors, they don&#8217;t usually do well on video or in film. Most will admit that they never know what they&#8217;re doing, even after the work is finished. So unless you tape an art historian or critic, or happen on a garrulous and charismatic personage &#8211; maybe like <a href=\"http:\/\/www.imagesjournal.com\/2002\/reviews\/horsesmouth\/\" target=\"_blank\">Gulley Jimson<\/a> &#8211; you&#8217;re flat out of luck if you&#8217;re looking for descriptions from the horse&#8217;s mouth, as it were.<\/p>\n<p>But having said that, I&#8217;ve been a fan of Bill Maynes&#8217; <a href=\"http:\/\/www.billmaynes.com\/video_main.html\" target=\"_blank\">videos on artists<\/a> since I discovered them a few years ago. His camera allows the artist full rein, without questions or structure.<\/p>\n<p>For example: <a href=\"http:\/\/www.billmaynes.com\/video3.html\" target=\"_blank\">Lois Dodd<\/a> -\u00c2\u00a0<em>Painters are just lucky that they actually see things. Not everyone really seems to see the world that they&#8217;re living in. And It&#8217;s such a kick really &#8211; seeing things, you know?<\/em><\/p>\n<p><a href=\"https:\/\/www.furiousdreams.com\/blog\/wp-content\/uploads\/2011\/01\/med_LD_ViewPorchJan09.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8200\" title=\"med_LD_ViewPorchJan09\" src=\"https:\/\/www.furiousdreams.com\/blog\/wp-content\/uploads\/2011\/01\/med_LD_ViewPorchJan09.jpg\" alt=\"\" width=\"306\" height=\"375\" \/><\/a><\/p>\n<p><strong>Lois Dodd<\/strong><br \/>\n<em>View From Porch<\/em>, Jan. 2009<br \/>\nOil on masonite<br \/>\n17 5\/8 x 14 3\/4 inches<\/p>\n<p><a href=\"https:\/\/www.furiousdreams.com\/blog\/wp-content\/uploads\/2011\/01\/Dodd.SprireainBloom.web_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8202\" title=\"Dodd.SprireainBloom.web\" src=\"https:\/\/www.furiousdreams.com\/blog\/wp-content\/uploads\/2011\/01\/Dodd.SprireainBloom.web_.jpg\" alt=\"\" width=\"280\" height=\"238\" \/><\/a><\/p>\n<p><strong>Lois Dodd<\/strong><br \/>\n<em>Sprirae in Bloom<\/em>, 1984<br \/>\nOil on masonite<br \/>\n12 x 14 inches<\/p>\n<p>All Dodd paintings: Courtesy Alexandre Gallery, New York<\/p>\n<p>Or <a href=\"http:\/\/www.billmaynes.com\/video11.html\" target=\"_blank\">Jake Berthot<\/a>, who is opening at <a href=\"http:\/\/www.bettycuninghamgallery.com\/current_exhibition.aspx\" target=\"_blank\">Betty Cuningham<\/a> this week and has more to say than most:\u00c2\u00a0<em>You become the servant to the painting. In the beginning you&#8217;re the boss. That&#8217;s about thinking, but it&#8217;s not about feeling. At a certain point, there&#8217;s no rationale&#8230;. there&#8217;s no system.<\/em><\/p>\n<p><em><a href=\"https:\/\/www.furiousdreams.com\/blog\/wp-content\/uploads\/2011\/01\/3453.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8203\" title=\"3453\" src=\"https:\/\/www.furiousdreams.com\/blog\/wp-content\/uploads\/2011\/01\/3453.jpg\" alt=\"\" width=\"430\" height=\"380\" \/><\/a><\/em><\/p>\n<p><strong>Jake Berthot.<\/strong> After Somei Satoh&#8217;s &#8220;Toward the Night&#8221;,\u00c2\u00a02008<\/p>\n<p><em><a href=\"https:\/\/www.furiousdreams.com\/blog\/wp-content\/uploads\/2011\/01\/3451.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8204\" title=\"3451\" src=\"https:\/\/www.furiousdreams.com\/blog\/wp-content\/uploads\/2011\/01\/3451.jpg\" alt=\"\" width=\"430\" height=\"313\" \/><\/a><\/em><\/p>\n<div><strong>Jake Berthot.<\/strong> Coming of the Passing,\u00c2\u00a02008<\/div>\n<div><em>In making a painting, you can either be involved with a system or a method.<\/em><\/div>\n<div><em>With a method &#8211; like C\u00c3\u00a9zanne &#8211; who had a method of investigating or making a painting&#8230;Within that form\/method is that at a certain point, you have to become the servant of the painting. The painting dictates what&#8217;s going to be done to it.<\/em><\/div>\n<div><em><br \/>\n<\/em><\/div>\n<div><em>I&#8217;m working on single trees. And they really are just like portraits. With the paintings I&#8217;m working on now&#8230;paintings are more atmosphere, hanging onto landscape painting by a hair. What interests me is gaze and place.<\/em><\/div>\n<div><em>Someone asked me about what my paintings were about and I said I wanted to paint silence before it disappears&#8230;..I can spend days without hearing a car go by. So it&#8217;s also about the quietness of that gaze.<\/em><\/div>\n<div><em><br \/>\n<\/em><\/div>\n<div>Berthot lives in the Catskills, Dodd lives half the year in Maine. I envy that quiet &#8211; my view of woods is intact, but new development around the corner is creating a cacophony of noise all day long.<\/div>\n<div><span style=\"font-size: xx-small;\"><span style=\"font-size: xx-small;\"><br \/>\n<\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Artists are not actors, they don&#8217;t usually do well on video or in film. Most will admit that they never know what they&#8217;re doing, even after the work is finished. So unless you tape an art historian or critic, or &hellip; <a href=\"https:\/\/www.furiousdreams.com\/blog\/artists-talking\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[461,5],"tags":[27,1047,1046,1044,1039,1042,1041,1043,1040,1045,120],"class_list":["post-8192","post","type-post","status-publish","format-standard","hentry","category-art-criticism-and-blogs","category-daily-meanderings","tag-art","tag-artists-on-film","tag-artists-talking","tag-betty-cuningham","tag-bill-maynes","tag-gulley-jimson","tag-jake-berthot","tag-joyce-carey","tag-lois-dodd","tag-paul-cezanne","tag-video"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.furiousdreams.com\/blog\/wp-json\/wp\/v2\/posts\/8192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.furiousdreams.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.furiousdreams.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.furiousdreams.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.furiousdreams.com\/blog\/wp-json\/wp\/v2\/comments?post=8192"}],"version-history":[{"count":23,"href":"https:\/\/www.furiousdreams.com\/blog\/wp-json\/wp\/v2\/posts\/8192\/revisions"}],"predecessor-version":[{"id":8219,"href":"https:\/\/www.furiousdreams.com\/blog\/wp-json\/wp\/v2\/posts\/8192\/revisions\/8219"}],"wp:attachment":[{"href":"https:\/\/www.furiousdreams.com\/blog\/wp-json\/wp\/v2\/media?parent=8192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.furiousdreams.com\/blog\/wp-json\/wp\/v2\/categories?post=8192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.furiousdreams.com\/blog\/wp-json\/wp\/v2\/tags?post=8192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}